Austin Ku

SAG, AFTRA, AEA





My Performer Website
NEWS, PHOTOS & REVIEWS
News

Current Season's News and Performances
  • February 2012: I am nominated for a 2011 IRNE Award (Best Supporting Actor in a Musical - Large Theatre, for Thuy in Miss Saigon)!  
  • 02/05/12-02/19/12: The new Off-Broadway play with music Tokio Confidential (Akira), by Eric Schorr, produced by Scandal Productions at Atlantic Stage 2 - New York, NY. ***Watch the trailer/commercial on Youtube HERE***
  • February 2012: Booked a catalogue print ad! - New York, NY.
  • February 2012: Called back for a principal role on a national TV commercial! - New York, NY.
  • February 2012: Called back for a guest spot on a TV comedy series - New York, NY. - UPDATE: Asked to read for a second role!
  • February 2012: Called in to audition for series regulars on TWO big cable pilots - New York, NY.
  • February 2012: On hold for a commercial print ad - New York, NY.
  • February 2012: Called back (made all the cuts) for a prestigious traveling singing group - New York, NY. - UPDATE: Got the job offer!!!
  • February 2012: Called back for a principal role in a new regional musical - New York, NY.
  • February 2012: Asked to submit tape for a recurring/series regular on a CBS pilot shooting in LA - New York, NY.
  • February 2012: Called back for a principal role in a major national tour! - New York, NY.
  • January 2012: Called in for a co-star on a major cable TV show - New York, NY.
  • January 2012: Brought directly to callbacks for a major Off-Broadway concert series - New York, NY.
  • November 2011 to January 2012: The King and I (Lun Tha) at Walnut Street Theatre, directed by Marc Robin and starring Rachel York - Philadelphia, PA.
  • November: I am nominated for a 2011 BroadwayWorld Boston Award (Best Actor in a Musical - Medium Theatre, for Monk in Sunfish)!  
  • December: Called back for a lead part in a new regional musical - New York, NY.
  • December: Called back for supporting part in a classic musical at a major regional theater - New York, NY.
  • November: Called back for a supporting part in a new Off-Broadway musical - New York, NY.
  • November: On hold for a national print campaign! - New York, NY.
Highlights of the Preceding Year
  • September to October: Miss Saigon (Thuy) at Ogunquit Playhouse, directed by Paul Dobie - Ogunquit, ME.
  • August to September: The Rocky Horror Show (Frank 'N' Furter) at Hangar Theatre, directed by Devanand Janki - Ithaca, NY.
  • July: Shot an international print ad for an Asian real estate property company - New York, NY.
  • July: Private reading of the hit rock musical Rent (Angel) - New York, NY.
  • July: Called back for a supporting part in a major studio blockbuster film! - New York, NY.
  • June to July: You're A Good Man, Charlie Brown (Snoopy) at Barnstormers Theatre, directed by Stephen Nachamie - Tamworth, NH.
  • May-June: Shot a lead role in the SAG short film The Woman in the Dress (Wei Li), written and directed by Henry Pincus; starring Caitlin Fitzgerald, with Michiel Huisman - New York, NY.
  • April: Shot a print job for a major national family magazine (young dad) - shot in New York, NY.
  • April: Concert/reading of a new musical by Maury Yeston called The Peony Pavilion (featured ensemble), produced by Broadway Asia and directed by Francesca Zambello - New York, NY.
  • March: Shot my third national commercial (hand model), for a major restaurant chain - shot in New York, NY.
  • February: Concert reading of the off-Broadway musical Wanda's World (Jake) at Lincoln Center Library (Bruno Walter Auditorium) - New York, NY.
  • January-February: The world premiere of the new musical Sunfish (Storyteller/The Magic Monk, dance captain) at Stoneham Theatre - Stoneham, MA.
  • December 2010: Shot a national online print ad (Husband) for a major pharmaceutical company - shot in New York, NY.
  • October-November 2010: The King and I (Lun Tha) at Alhambra Theatre and Dining - Jacksonville, FL.
  • September 2010: Shot my second national commercial (hand model), for a dishwashing detergent - shot in New York, NY.
  • August 2010: Shot my first national commercial (hand model), for a cable company - shot in New York, NY.
  • August 2010: Closer Than Ever (Man 1) at The Phoenicia International Festival of the Voice - Phoenicia, NY.
Career Milestones
  • Fall 2009: Booked my first regional show out of NYC - been working steadily since!
  • Fall 2009: Booked my first show in NYC (NYMF)!
  • Fall 2009: MOVED TO NEW YORK CITY!
  • Spring 2009: Graduated from the master's in musical theatre program at The Boston Conservatory - Boston, MA.
  • Fall 2008: Shot my first national print ad (for an insurance company) - shot in Boston, MA.
  • Summer 2008: Received my SAG membership doing a European bank commercial - shot in Boston, MA.
  • Fall 2007: Moved to Boston to begin the Master's in Musical Theater program at The Boston Conservatory - Boston, MA.
  • Spring 2006: Received my AFTRA membership doing a corporate industrial (business video) - shot in San Francisco, CA.
  • Spring 2006: Received my Actors' Equity membership to play Tiny Tom/Dr. Billeaux, u/s Bobby Strong, and dance captain of Urinetown! The Musical! at San Jose Stage Company in San Jose, CA.
  • Spring 2005: Received a Dean Goodman Choice Award (San Francisco Bay Area theatre critic) for "Supporting Actor in a Musical" as Anthony Hope in Sweeney Todd (starring James Monroe Iglehart, now featured in Memphis on Broadway) in Los Altos Hills, CA.
  • 2003-2004: My regional theatre career starts in San Francisco as a company member of 42nd Street Moon, playing featured/ensemble roles in lost Golden Age musicals such as Paint Your Wagon, Roberta, Finian's Rainbow, Oh Captain! and The Boys from Syracuse.

Performing Photos (Selected)


Recent Reviews

2011

*** Watch the trailer/commercial on Youtube HERE! ***

"Schorr is a talented composer, and he is aided by Johanna McKeon's sensitive direction and a capable cast, that includes Manna Nichols as Horiyoshi's lover and Austin Ku as Ernest's devoted friend."


--FERN SIEGEL, THE HUFFINGTON POST (02/15/12),
full review here

"There are interesting performances by Austin Ku as Akira and [Manna] Nichols as the geisha purchased by Horiyoshi to run his household. They know they're only pawns in a larger story, and Schorr gives them a pair of intertwined numbers, "The Jurisdiction of Affection" and "Looking-back Willow," that suggest what Tokio Confidential might have been like if its violence and sexuality were fully evoked in tension with the story's placid, well-mannered surface."

--David Barbour, Lighting and Sound America (02/13/12), full review
here

"Austin Ku and Manna Nichols emphasize a watchful wariness as Akira and Sachiko, who fear losing their respective lovers."

--Erik Haagensen, BackStage (02/12/12), full review
here
*** Watch my interview and live performance on CBS' "Talk Philly" morning show (01/02/12) HERE!!! ***
*** Watch my interview on Philly NBC's "The 10" morning show (12/29/11) HERE!!! ***

"Standout performances are offered by the ill fated lovers Tuptim (Manna Nichols) and Lun Tha (Austin Ku), whose touching drama breaks hearts and flawless voices blend beautifully in lovely renditions of "We Kiss in a Shadow", and "I Have Dreamed".

--PATI BUEHLER, BROADWAYWORLD.COM (11/21/11), full review here

"...Manna Nichols' Burmese slave girl Tuptim sings a downright heartbreaking 'We Kiss in a Shadow' with Austin Ku's Lun Tha."

--WENDY ROSENFIELD, PHILADELPHIA INQUIRER (11/17/11), full review here

"However, there is much love in this production. Manna Nichols is heartbreaking as the slave girl Tuptim, and along with Austin Ku's excellent Lun Tha, their rendition of "I Have Dreamed" had all the passion and chemistry that was otherwise missing from the production (consequently, it received the biggest cheer of the night)."


--Jeremy Gable, EDGE Boston (11/22/11), full review here

"At the periphery of the story of Anna and King, are two young lovers- Tuptim, a princess from Burma, and Lun Tha, her secret lover. Their romantic journey, which has an impact on the King’s relationship with Anna and his views on the place of women, is well-played out on the Walnut Street Theatre stage. Manna Nichols and Austin Ku, respectively, make the audience feel for their plight and their two musical numbers, “We Kiss in a Shadow” and “I Have Dreamed” are sung with great emotion."

--Elliot Lanes and Jennifer Perry, MD Theatre Guide (01/02/12), full review here

"Additional notice must also be given to Austin Ku and Manna Nichols who play young lovers Lun Tha and Tuptim, respectively. Their voices, like Angelica-Lee Aspiras (Lady Thiang) are simply magnificent."

--Aaron Mettey, The Philly Post (12/02/11), full review here

"...and there are strong vocal turns by Angelica-Lee Aspiras as the most senior of the king's many wives, and by Austin Ku and Manna Nichols as the young lovers."

--Tim Dunleavy, Talkin' Broadway (12/05/11), full review here

"Then there are the star-crossed lovers, [Tuptim] (Manna Nichols) and Lun Tha (Austin Ku) who sing us a truly emotionally wrenching "We kiss In the Shadows [sic]."

--Sally Friedman, The Central Record (12/29/11), not available on-line


Read Lydia Hryshchyshyn's lovely review ("Her side story with her Burmese lover is heartbreaking, and both actors are captivating.") for the Drexel Triangle (12/02/11) here
  • September-October 2011: Miss Saigon (Thuy) at Ogunquit Playhouse - Ogunquit, ME (IRNE AWARD NOMINEE - BEST SUPPORTING ACTOR IN A MUSICAL)!
"Ku infuses his rejected lover with the cold-blooded power that has made his Thuy a fast-rising and dangerous army officer. Even as a ghost in "Kim's Nightmare (Part 1)," he sings with frightening authority."

--JAN NARGI, BROADWAYWORLD.COM (10/14/11), full review here


Austin Ku delivered a potent performance as Thuy, Kim's jilted betrothed."

--APRIL BOYLE, PORTLAND PRESS HERALD (09/25/11), full review here


"Austin Ku is equally commanding as Kim's rejected family-arranged suitor, Thuy, who tries desperately to recapture her from Chris. Later, as a commander in the Viet Cong, and he finds Kim living in a hovel, he is enraged when she says she had an illegitimate son with Chris. He must kill Tam, he screams, because he is a symbol of her shame and broken promise to her deceased parents. As the first act closes, the drama ratchets sky-high as Kim, clinging to her hope that Chris will return for her, kills Thuy, and must flee."

--Sheila Barth, Theatre Mirror (09/29/11), full review here

"Austin Ku combines menace with an element of pathos as Thuy, the young man to whom Kim was promised by her father, who tries to separate her from Chris in the first act and returns as a communist leader in the second."

--Jennifer Brewer, Tourist News (09/29/11), review not available online

"Thuy is played by Austin Ku who has a magnificent baritone."

--Morton Gold, Journal Tribune, review not available online

"Kudos also go to Nik Walker as a fellow marine, Austin Ku as an evil Vietcong officer and Amanda Rose as the third point of the romantic triangle that ultimately results in the show's tragic denouement."

--Scott Andrews, The Forecaster (09/27/11), full review here

"Other excellent performances are given by Nik Walker, Austin Ku and Amanda Rose."

--Scott Andrews, The Weekly Sentinel (09/30/11), review not available online
  • August-September 2011: The Rocky Horror Show (Frank'n'Furter) at Hangar Theatre - Ithaca, NY.
"That man of little morals ... and some persuasion," as Dr. Scott judges him, is actually a "sweet transvestite from Transylvania" (the planet, not the country), and Austin Ku plays him dominantly with a touch of needy vulnerability. Seducing his guests and grotesquely destroying those who disappoint him, he pouts, "It's not easy having a good time." Ku's vocals alone are commanding, and his transsexual costumes divine."

--BARBARA ADAMS, ITHACA JOURNAL (08/26/11), full review here


When h
e cast
Austin Ku in the role of Dr. Frank-N-Furter, director and choreographer Devanand Janki must have been mindful of having a very different central character than the expected “Curry archetype” that is presented in most productions. Ku's Asian suavity and handsomeness struck me as an effective, interesting alternative, much the way Gary Oldman’s title character did in the filmed remake of “Dracula” several years ago. Without the expected hard edges, Ku's often-gowned-in finery transvestite is somehow less threatening, more approachable, and ultimately, more feminine. However, his creditable vocal treatments and obvious musicality (he exudes much pathos while handily playing the violin), are avenues to enrich and deepen the character.”

--Tony Curulla, Syracuse.com (08/20/11), full review here

(We also made "Critic Tony Curulla's list of the best in Central New York theater for 2011": "it was as fresh (literally and figuratively) as it ought to be... director and choreographer Devanand Janki offered us an alternative Dr. Frank-N-Furter by casting Austin Ku in the lead role." --(01/01/12), article here)

"Austin Ku's Frank-n-furter has all the petulance and froideur we have come to expect of the transsexual master of the house... his farewell ("I'm Going Home") is a moment of sheer brilliance."

--Ross Haarstad, Tompkins Weekly (08/29/11), full review available via full issue download here

"And Austin Ku (Frank-n-Furter) gives a performance that would make Tim Curry proud."

--
Littlecitybig.com (08/19/11), full blog post here

Read Bryan VanCampen's lovely review for the Ithaca Times (08/24/11)
here ("...and Austin Ku are flat-out fantastic... Austin Ku's ab-fab wardrobe.")

*** Watch the Hangar Theatre's TV spot for the show here ***
  • February 2011: The world premiere of the new musical Sunfish (Storyteller/The Magic Monk, dance captain) at Stoneham Theatre - Stoneham, MA (BROADWAY WORLD BOSTON AWARD NOMINEE - BEST ACTOR IN A MUSICAL)!
"Austin Ku, a handsome willow, is the sole Asian-American; when Mr. Ku's Monk looks sideways and slyly smiles, his instant stylization highlights the others' blandness."

--Carl A. Rossi, TheaterMirror.com (02/12/2011), full review here


2010
  • October-November 2010: The King and I (Lun Tha) at Alhambra Theatre and Dining - Jacksonville, FL
"You will be impressed with the voices of those in the major supporting roles: Ya Han Chang as Lady Thaing [sic], Leanne Cabrera as Tumtin [sic], and Austin Ku as Lun Tha."

--Dick Kerekes and Leisla Sansom, EU Jacksonville (10/20/2010), full review here

"Romeo & Juliette [sic] were no match for Austin Ku (Lun Tha) and Leanne Cabrera (Tuptim). They sang like two 'young lovers'."

--Victoria Poller, examiner.com Jacksonville (10/19/2010), full review here

"Master entertainers Alex Agard, Janna Cardia, Austin Ku, and Amy Wallace brought laughter and tears to the opening night audience. Director Ricarda O'Connor had the cast moving, singing, hugging, attracting and repelling each other in a wonderfully charged choreographic display. I won't single out any one performer in particular as the cast worked as an exquisite, well rehearsed ensemble, supporting each others enormous efforts. Truly a privilege to see them perform in the wonderful playhouse."

--Larry Litt, nytheatre-wire.com (08/13-15/2010), available here

Read Lissa Harris' lovely review for the Watershed Post here
"In unskilled hands a production with 37 characters in 25 ethnic-flavored skits could become an unwieldy, hackneyed disaster.  167 Tongues is anything but, and that's due primarily to the collaboration of 11 talented playwrights and 29 actors, assembled by director Ari Laura Kreith, who also conceived the entire production for Jackson Repertory Theatre.  ...  Among the standout characters of 167 Tongues are a homeless man who is partial to Little Debbie Snack cakes and a graduate student who delivers Chinese food for a living.  There's a humorous dosa chef, a suspicious Korean fruitseller, a Russian bookseller with a poetic side, a cantankerous, housebound Vietnam War veteran, a no nonsense Indian jewelry maker who rejects a footloose suitor, and others far too numerous to mention.  Most of them feel entirely real rather than slight, one-dimensional caricatures. ... The living residents of Jackson Heights also have a thematic communion with with residents long dead.  The use of ghosts in a theatrical production can be a disaster.  Yet, here, the device is used to great effect, as when a pair of them, one white and one black, haunt a young interracial couple whose lives reflect those of the ghosts' children, in love in a bigoted society some 40 years earlier. ... Due in no small part to to consistently first-rate writing, acting and direction, this production's tasty concoction, against all odds, manages to work much like the neighborhood it lovingly chronicles."

--William Coyle, Offoffonline.com (05/07/2010), available here


Read the lovely review "167 Tongues Strikes Theatrical Gold" on Queensbuzz.com (05/07/2010) here
Read the lovely feature article "Capturing the Vitality of Jackson Heights and Putting It on Stage" in THE NEW YORK TIMES here
"Performed to a full house in the 216-seat mainstage theater, the event was filled with bursting emotions of laughter and tears from the audience.  Joining Salonga and Takei were [cast list], Austin Ku..."

--coverage by Oliver Oliveros and Anthony Tarrosa Ong, Broadwayworld.com (02/24/2010) available
here

2009
"Starlight Theatre has mounted a lively production of the classic Depression-era musical "Anything Goes." ... Director Eliot Wasserman and his design team have served up a handsome show, with a fair share of delights....  Starlight [has staged] the 1987 version, but even so the show descends into some regrettable stereotyping before it's all said and done.  The problem isn't in the performance of Vi Tran [and] Austin Ku as Chinese characters who have supposedly converted to Christianity but who really want to fleece the passengers with games of chance.  The trouble comes when Billy and Martin appear late in the show pretending to be Chinese..."

--Robert Trussel, Kansas City Star (07/15/2009) [full review no longer available on-line]

2008
  • October 2008: Gutenberg! The Musical! (Doug, dance captain) with New Repertory Theatre - Watertown, MA
"Brendan McNab and Austin Ku, who've both demonstrated serious singing gifts elsewhere, here also draw on their great talents for comedy. ...Ku makes book writer Doug's thinly veiled crush on Bud feel like more than the running gag it's written as. ... As for their musical performances, Ku is delightfully, wackily sincere as Gutenberg and hysterically hysterical in his turn as the lovelorn Helvetica. ... And don't let the silliness fool you: These guys have to do some real singing here, and their ridiculous performances would not be half so funny if they weren't also highly skilled."

--LOUISE KENNEDY, BOSTON GLOBE (10/08/2008); full review here

"Gutenberg! is a charmer and garners likeability from the two leading men, Brendan McNab as Bud and Austin Ku as Doug...  McNab and Ku have worked together before and it shows in their onstage chemistry.  Their comic timing is spot on...  Both men are also gifted with wonderful singing voices and make some of the songs better than they are."

--NANCY GROSSMAN, BROADWAYWORLD.COM (10/08/2008); full review here


"actors Austin Ku as Doug and Brendan McNab as Bud are an energetic delight. ...when Ku exclaims the musical's title with jazzy "Just Jack!" hands, it's a hoot." 

--Jennifer Brubriski, EDGE Boston (10/09/2008); full review here

Read Jenna Scherer's review ("Brendan McNab and 
Austin Ku [are] gosh-darn cute as Bud and Doug") for the Boston Herald (10/07/2008) here
Read Carolyn Clay's review ("As enthusiastically and ingenuously embodied by paradoxically excellent singers Austin Ku and Brendan McNab, the two collaborators appear...") for The Boston Phoenix (10/08/2008) here
Read Beverly Creasey's review ("Ku and Brendan [McNab] are wildly inventive ... portraying all forty one roles with gusto") for TheaterMirror.com (10/2008) here
  • May-June 2008: Bernstein Tribute with the Boston Pops Orchestra (Pangloss in "Best of All Possible Worlds" from Candide - Boston, MA
"'The Best of All Worlds' from Candide follows, receiving sprightly treatment by the Pops as well as from Austin Ku as Dr. Pangloss and David Vogel, Lindsey St. Onge, Caitlin Doonan and Joseph Kamay as his classroom of eager students."

--JAN NARGI, BROADWAYWORLD.COM (05/16/08); full review here
  • January-February 2008: Christopher Durang and Peter Melnick's new musical Adrift in Macao (Tempura - principal) at The Lyric Stage - Boston, MA 
"And then there's Rick's henchman Tempura - so named, as he mincingly explains, "because I have been battered by life."  Boston Conservatory student Austin Ku delivers that line, along with a nonstop battery of exaggerated ethnic stereotypes, with an expert mix of knowingness and innocence.  He's the funniest thing onstage, even before the big revelation near the end that takes the showbiz satire to a new level."

--LOUISE KENNEDY, BOSTON GLOBE (01/16/2008); full review here

"It is Austin Ku as the always smiling Tempura, however, who steals the show from his self-absorbed American interlopers.  The seeming model of congeniality and subservience, Ku unleashes a devilishly sinister and gleeful laugh when least expected, suggesting that there's more beneath his impenetrable facade than meets the eye."

--JAN NARGI, BROADWAYWORLD.COM (01/20/2008); full review here

"But the biggest hit of the night is Ku, in a role that feels like it was written for him. Not only will his performance make you laugh in all the wrong places, but his big finish will keep you singing the ridiculously likable “Ticky Tocky Tock” all the way home"

--Nick Dussault, Boston Metro (01/18/2008); full review not available on-line

"The scene-stealer turns out to be Austin Ku, whose Tempura is an affectionate and quite funny send-up on Hollywood Asian stereotypes.  He's also priceless in drag."

--Robert Nesti, EDGE Boston (01/16/2008); full review here

"Of particular interest, however, is one performer new to the area - a rubber-faced, sweet-singing comedian named Austin Ku - and one number he delivers late in the line-up about certain of his talents....  And that brings us to Austin Ku, whose credits include a long list of roles in San Francisco Bay area theaters. He is currently studying for a master’s degree in musical theater at the Boston Conservatory, a lucky find for this show. As Tempura, Ku embodies the old vaudeville actor who made a career out of transforming into many characters on stage in front of the audience. Ku does so with glee and sharp-edged turns of motive, despite his ‘‘chewing of the scenery’’ - a stage term for too, too, too much mugging. His big number at the end is performed with breathtaking skill and is one marvelous moment of the show, along with his final appearance, which is knock-out."

--Iris Fanger, The Patriot Ledger (01/15/2008); full review not available on-line

"... which brings me to my favorite character in Macao.  It's about time someone held Hollywood's bound feet to the fire. Austin Ku is nothing short of hilarious as the "inscrutable" houseboy, groveling to his boss and cursing behind his back.  When his real identity is revealed, in joyous song, of course, he brings down the house, or rather, J. Michael Griggs' wonderfully seedy bar."

--Beverly Creasy, TheaterMirror.com (01/13/2008); full review here

"Austin Yu [sic] as, I kid you not, Tempura ... is the steLeotypicaR YeRRow PeaLR (How does he DO that???), pretending obsequiousness and cursing the white trash in asides, but obviously has Hidden Agendas --- as do everyone on stage."

--Larry Stark, TheaterMirror.com (1/13/2008); full review here

Read Carolyn Clay's review ("the excellent Austin Ku") for The Boston Phoenix (01/16/2008) here
Read Jenna Scherer's review ("Ku goes full-throttle as Tempura") for the Boston Herald (01/14/2008) here

2007 and prior (San Francisco Bay Area theatre) - archived


View my resume, links to video/audio clips, reel, downloads and more on the Resume page!


This page last updated: 02/2012
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